The public statues

"In contrast to the academic tradition, however, he is not interested in anatomy in the sense of dissection, but, freeing himself from his knowledge of anatomy, he forms new organic entities that have the female body as their subject. In other words, mastery of the anatomical structure is a prerequisite for his figures, but as such it is virtually irrelevant to the outcome of his artistic endeavours. Thus, although his subject matter is connected to an old tradition of sculpture, the way he models is completely unorthodox." *

	Martin Mayer: Orpheus. 1962, bronze, h 220 cm. München, Löfftz-/Pickelstraße (Borstei)
	Martin Mayer: Trauernde. 1967, cement, h 224 cm.
	Martin Mayer: Haarwaschende. 1969, bronze, h 129 cm.
	Martin Mayer: Olympia Triumphans. 1972, bronze, h 385 cm.
	Martin Mayer: Franziskus. 1979, bronze, h 274 cm.
	Martin Mayer: Schwimmerin. 1977, bronze, h 205 cm.
	Martin Mayer: Palatina Bacchabunda. 1981, bronze, h 210 cm.
	Martin Mayer: Susanna. 1982, bronze, h 210 cm.
	Martin Mayer: Wasserausschüttende. 1983, bronze, h 100 cm.
	Martin Mayer: Martin Luther. 1981, bronze, h 240 cm.
	Martin Mayer: Bukolika. 1984, bronze, h 100 cm.
	Martin Mayer: Eos. 1986, bronze, h 162 cm.
	Martin Mayer: Filia Rheni. 1987, bronze, l 330 cm.
	Martin Mayer: Jakobspilger. 1989, bronze, h 300 cm.
	Martin Mayer: Goldwäscherin. 1993, bronze, h 112 cm.